The Regency Decade: 1815 Part One: Waterloo

Catherine Kullmann

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View of Brussels min

View of Brussels

I must apologise for the delay in continuing with this series. To quote Rabbie Burns, and as today’s post shows, “The best-laid schemes o' mice an' men/Gang aft a-gley.”

At the end of 1814, we left the exiled Napoleon on Elba. Across the Atlantic, on January 8th 1815,  American forces defeated the British in the Battle of New Orleans, the last major battle of the War of 1812. On January 21st, the mortal remains of the guillotined Marie Antoinette and Louis XVI were transferred in a sombre procession to the royal crypt in Saint-Denis. The restoration was complete. The map of Europe could be re-drawn again and the victorious allies agreed to meet in Vienna to discuss the new borders.

Meanwhile, thousands of Britons had decamped for the Continent. Their reasons were mixed; some simply wished to travel again while others hoped to leave their massive debts behind and live abroad on an ‘economical plan’. They soon established their own enclaves in Brussels and Paris where they continued to live the same life as they had at home, mixing with the same people and founding such bulwarks of English society as clubs and libraries where they could be sure to remain among themselves.

At the beginning of March, with trade with the European continent open again, Britain’s ruling classes looked to protect the interests of the landowners by introducing the Importation Bill. This was the first of the so-called Corn Laws, designed to prevent the importation of cheap foreign grain, thus keeping their incomes at war-time levels. They happily ignored the fact that as a result, the price of bread would be at an artificially high level, a fact that did not escape the poorer classes.  In the ensuing riots, the windows of White’s club were broken and parliament had to be surrounded by a protective cordon of soldiers.

All rioting ceased when the news reached England that Napoleon had escaped from Elba and was marching towards Paris. He had indeed returned with the violets. The Importation Bill became law without further ado and Europe awaited the next developments with bated breath. A contemporary source summarised Napoleon’s progress as follows:

A Conversation between Two Gendarmes, modelled on THE TIMES:
First Gendarme: What is the news?
Second Gendarme: Ma foi! the news is short.
The tiger has broken out of his den.
The Monster was three days at sea
The Wretch has landed at Frejus
The Brigand has arrived at Grenoble
The Invader has entered Lyons
Napoleon slept last night at Fontainbleu
The Emperor enters the Thuilleries this day.

On March 19th, Louis XVIII and his family hurried away from the Tuilleries, only some hours before the Emperor’s triumphant return. The English who had flocked to Paris now as hastily left it, many heading for Brussels.

Wellington and Napoleon

The allies, happily ensconced in Vienna, were caught wrong-footed. Armies recently dismissed were hastily recalled and on April 5th the Duke of Wellington arrived in Brussels to take command, initially of the British forces but soon, as Commander-in-Chief, also of the army of the United Netherlands.  Enriched and enlivened by the influx of officers, the Brussels social whirl continued alongside the preparations for war. Would Napoleon sally across the French border to attack the allied forces or would he remain in France, daring them to invade?

The Duchess of Richmond appealed to Wellington himself for advice as to whether her ball, planned for June 15th, might go ahead. “Duchess,  you may give your ball with the greatest safety, without fear of interruptions” was his reply.

Byron captures best what happened next:
There was a sound of revelry by night,
And Belgium's capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o'er fair women and brave men;
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage-bell;
But hush! hark! a deep sound strikes like a rising knell!

Did ye not hear it?–No; 'twas but the wind,
Or the car rattling o'er the stony street;
On with the dance! let joy be unconfined;
No sleep till morn, when Youth and Pleasure meet
To chase the glowing Hours with flying feet.
But hark! that heavy sound breaks in once more,
As if the clouds its echo would repeat;
And nearer, clearer, deadlier than before!
Arm! arm! it is–it is–the cannon's opening roar

Napoleon had ‘humbugged’ him, as Wellington admitted to the Duke of Richmond, sending Ney to  attack the British and Dutch-Belgian forces at Quatre Bras while he himself forced the Prussians to retreat at Ligny. But even as the wounded from these encounters were brought to Brussels, the Allied and French armies marched towards Waterloo, a small village south of Brussels on the far side from Brussels of the Forest of Soigné.

Filed of Waterloo

Overnight, regiments assembled on the Place Royale before marching out of Brussels, past the long procession of farm carts coming to market as usual. As one observer put it, After the army was gone, Brussels indeed seemed a perfect desert. Every countenance was marked with anxiety or melancholy—every heart was filled with anxious expectations….At about three o’clock [on the 16th], a furious cannonading was heard.

From then until the evening of the 18th, the residents of Brussels were torn between the hope of victory and fear of defeat. Some fled immediately towards Antwerp while others remained but prepared for instant flight. One after the other, the dreadful reports arrived:  The Prussians had retreated, the Highland regiments that had been piped out of Brussels only that morning had been slaughtered, Wellington had been defeated; the French were at the gates…Every hour only served to add to the dismay.

On the night of the 17th, a violent thunderstorm came on, followed by torrents of rain which during the night, when the army were laying unsheltered upon the field of Waterloo, never ceased a single moment. On Sunday [the 18th] the terror and confusion [in Brussels] reached its highest point.

Meanwhile, on the plain of Waterloo, Wellington and Napoleon set out their armies as calmly as a grandmaster might dispose of his chessmen were he allowed a free hand in their positioning. It was mid-morning before the battle commenced, perhaps because the ground was too wet to allow the artillery to move its guns. But soon about two hundred thousand men were engaged in deadly combat. The battle waged all day until, near sunset, the invincible Imperial Guard was forced to retreat causing the surviving French to flee. The battle was over, the allies under Wellington had won the day, Napoleon was finally defeated, but at what cost?

Blücher

The story of the battle is too well known for me to go into it in depth here.  I have done this in my novel, The Murmur of Masks. For now, let us leave the last word to Byron.

The earth is cover’d thick with other clay,
Which her own clay shall cover, heap’d and pent,
Rider and horse,—friend, foe,—in one red burial blent!

 

Did The Lands of The Vatican Make The Catholic Church?

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oldstpeters

The above is a drawing of Old St. Peter's, the building which had originally been built on the grounds of Nero's Circus in Rome, where many Christian martyrs had gone to their deaths, including St. Peter himself.

The catacombs under Nero's circus were used for the burial of the many enemies of Rome, criminals and Christians who died in the circus.

See a plan of Nero's circus below overlaid onto the plan of St. Peter's:

Neros Circus

This site is where the first Christian martyrdoms in Rome took place in 65 A.D..

St. Peter is believed to have been crucified here in 67 A.D. along the spine of the circus with other Christians.

This is likely to have been a traumatic moment for Christians, as St. Peter had been with Christ during his mission and had been largely responsible for the rapid growth of Christianity in the decades following Christ's death.

Nero's Circus had been started by the Emperor Nero and finished by the emperor Caligula around 40 A.D.. It was a place of entertainment and cruelty, symbolic of the vicious nature of the Roman Empire.

An edict of toleration of Christianity was published in 311 A.D. and a second in 312 A.D., bringing to an end the persecution of Christians, but it is a long step from the ending of persecutions to the transfer of a huge and important tract of land and its buildings to the Christian church.

What we do know is that Old St. Peter's was started around 318 A.D., about 6 years after the victory of Constantine the Great over his rival for the western empire, the Emperor Maxentius. Old St. Peter's made use of some of the buildings that were part of Nero's Circus.

Why Constantine went this far, to grant this land, in his support for Christianity is a big question. To have won that battle in 312 A.D. required a pragmatic mind and the help of many groups, not just his legions.

My answer to this question, why did he go this far, is that Christians helped him to succeed. How they helped him on that fateful day in October, 312 A.D. is what I speculate on in my novel, The Road to the Bridge.

That battle has been the subject of many great works of art including the following by the master of the Italian Renaissance, Raphael, (died 1520.)

 

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Speculation that Constantine saw a sign in the sky and had that sign painted on the shields of his legionaries, was most likely dreamt up afterwards, to present the victory as occurring with the support of God.

What the myth does reflect though is the real importance of the battle to the Christian church and the way it transformed that church.

To go from having your churches burnt and your members persecuted to being granted this site and many others, including the site of the Church of the Holy Sepulchre in Jerusalem, the location Jesus was believed to have been crucified, shows a major commitment to Christianity by Constantine.

You don't back one religion to such an extent for private reasons, I suggest, but for that religion's support for you winning power, and holding it.

The Christian church aligned itself fatefully with this emperor and ever since it has aligned itself with the state.

Whether this was a good thing, for the followers of someone who said, “there is more chance of a camel getting through the eye of a needle, than a rich man getting into heaven,” is something you can decide.

What I do believe is that without the lands of the Vatican the Catholic church right now would be a much diminished religious group. Perhaps the Catholic church might be renamed now as, Constantine's Catholic church? What do you think?

Laurence O'Bryan is the author of The Sign of the Blood (click here to learn more,) a novel about the rise to power of Constantine the Great, The Road to the Bridge (click here to learn more), about the lead up to the Battle of the Milvian Bridge and the final novel in the trilogy, The Cursed City (due late 2020), about the founding of Constantinople.

References:

  1. Old St. Peter's.

  2. Nero's Circus.

  3. Battle of the Milvian Bridge.

  4. Constantine the Great.

How A Love Charm Ensnared An Emperor

In The Sign of The Blood, two of the main characters, Juliana, a slave, and Sybellina, a Roman priestess, compete for the attention of Constantine, son of the Emperor of the West, a young man destined to become Constantine the Great.

The Sign of The Blood final version name at the bottom 2As the book opens Constantine is about to inherit his father's title and can have almost any woman he wants. He is 34 years old and a Roman Tribune, a senior military officer serving at the front lines. Household slaves will be available to him as well as the daughters of the wealthy.

How could a woman who wants his love, succeed?

The first thing I had to set aside as I wrote this story, was the idea that love was simply a matter of attraction or suitability. For most people living at that time, 306 A.D., the gods interfered and had to be placated, and humans could both read the future and influence it through spells, charms, and potions.

Often, such charms or spells were a way for people to imagine that they had a chance with someone, to give them the confidence to seduce someone, or to keep someone they already had.

If we think about how we pray to be loved, wear rings to signify relationship status, and spray ourselves with perfume to attract, we are not that far away from the mindset of spells, charms, and potions, though we like to fool ourselves that we are all very modern and rational in the age of the iPhone.

What you may not have done, however, is what Sybellina does in The Sign of the Blood. As one of the last priestesses of the slowly dying imperial cult, she is both a spy and an assassin, the 2nd and 3rd oldest professions. She is also a skilled practitioner in the arts of divination and dark magic. Anyone who has read the astrology predictions for their star sign can understand the attraction of knowing where you are headed, especially in times of danger. It really can make you strive harder if you believe in your destiny.

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But to steal the heart of an emperor's son who can have a different woman every hour, the challenge is extreme.

And it calls for extreme measures. Something involving blood and human flesh. Something that requires a sacrifice, to represent the sacrifice you would be willing to make to achieve your aim. A spell and a charm and a potion strong enough to make anyone believe in their destiny.

That could work, yes? It could certainly give you the confidence to make your move.

If you think I'm making this up, click through to The Greek Magical Papyri which include love spells and hocus-pocus meant to inspire confidence. If you believe in positive thinking you will understand the benefits of self-belief in everything, including matters of the heart.

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Codex with magic spells, 5-6thC A.D. Museo Archeologico, Milan. Wikimedia Commons.

And if you want to know what was written on these charms or chanted as the blood flowed, remember your Virgil who said we could. “… tear love's cure-all from the forehead of a foal.”

Or consider the level of desire evident from the Louvre Doll curse tablet, “…do not allow her to eat, drink, hold out, venture out, or find sleep.”

I am sure you wouldn't use such tactics on the object of your affection, but if the future of an empire was at stake, you never know. And this was at a time when Christianity was being persecuted into annihilation and death loomed every day.

If you think I'm stretching things about the ancients belief in magic, have you read The Apology, where this Roman author states, “magical operations were indispensable scientific experiments.”

And before you dismiss all this as nonsense, consider these questions:

Did you ever feel, when you met a stranger, that you would meet again or had know them before?

And what would you do to hold onto the love of your life?

If you want to read what Sybellina does to get her wish to come true and how she enchanted Constantine, and how Juliana strikes back, you will have to buy The Sign of The Blood.

Laurence O'Bryan is the author of the puzzle series novels and now, The Sign of The Blood, the first novel in a new series set during the bloody and turbulent late Roman Empire.

How to Promote Horror: Why is Stephen King so Popular?

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Stephen King in Creepshow — Courtesy of Warner Bros.

Stephen King is one of the most successful authors in the world. He's written more than 60 books, all of the them bestsellers. And he writes horror.

Horror!

Yes, that much maligned genre I keep talking about. He's been doing it for 40 some years and he's still going strong.

King himself once called his writing “the literary equivalent of a Big Mac and fries.” It's not complex stuff. He writes prose that is simple and easy to follow.

He spells everything out for his readers. No literary subtitles here. If he wants you to know what a character is feeling, he tells you what that feeling is and why that character is feeling it.

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Writers are weird people. When one of them makes it big, you get articles like this one. Did I mention, writers are weird?

King's simple style does not, however, limit the stories he tells. He is a master storyteller, often weaving complex plots with lots of characters and making it look easy.

His stories are exciting and fast-paced. They suck you in and won't let go. You have to keep reading and reading.

He is also very good with time and place and very good with character. And it is with his characters that his writing shines and wins over his readers.

His characters are always sympathetic, sometimes with heartbreaking backstories that he explicitly writes in detailed flashbacks, usually everyday people.

Even his bad guys are only bad because of some sort of corruption, typically from an outside evil force. And by ‘outside evil' I mean an antagonistic force, often supernatural, that is either out to get his mostly innocent and well-meaning characters (like Pennywise the clown in It), or out to make them do evil things themselves (like the Overlook Hotel in The Shining).

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Here's how you do an author pic. Black and white. Stark shadows. No smiling. Intense eyes. Courtesy of Simon and Schuster.

But always these antagonistic forces come from things that are twisted, evil and not human. It's a comforting message that people like to believe. People are good. Other things are bad. A message worth noting as a contributing factor to King's success.

Personally, I have been reading Stephen King since I was 14 years old. I have read a good majority of what he was written, with only some of his newer stuff missing from my list.

Even as I discovered writers I liked more over the years, I've always come back to King's stories. I'm drawn back to them when I need something into which I know I will lose myself.

If you're like me and you grew up with a sort of high-minded ideal for your writing, born out of reading too much Hemingway and Faulkner (or whatever “classic” author you're into), then further perpetuated by college literature and creative writing courses, it's worth taking a step back and looking at the work of an author like Stephen King.

King's writing style is simple, his characters are easy to relate to, and his stories move quickly.

These are traits that sell books.

King is not famous because he writes horror, but in spite of it.

Oh, and my favorite King novel?

The Tommyknockers (I know, I know. Considered one of his worst. Ask me in the comments and I'll tell you why it's my favorite.)

authorpic orig smallKeith Deininger is the award-winning and #1 Amazon bestselling author of many horror and fantasy titles, including WITHIN, THE FEVER TRILOGY and THE GODGAME series. He has been called “one of the finest writers of imaginative fiction” and “Ray Bradbury on acid.” His latest novel, VIOLENT HEARTS, has been compared to Stephen King’s fantasy-based work. He lives in Albuquerque, NM with his wife and two kids. Although he loves a good nightmare, in person he’s a really nice guy. Promise.

www.KeithDeininger.com

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