What We Found Last Summer by Javier De Lucia

“What We Found Last Summer is a delightful, nostalgic adventure that will have Gen X readers reminiscing about a time when childhood meant freedom, fresh air, and getting into trouble without a mobile phone in sight.

 

91RTPYtE6TL. SL1500Calvin, Derek, Ryan, and Ravi are four young boys whose favorite hideaway is a treehouse in desperate need of renovation. But when they venture into the woods to liberate some building materials from an abandoned treehouse, they stumble upon something belonging to the Mob. Unfortunately, the Mob would rather like it back.

 

Throw in some colorful villains, a rival family down the road, and a touch of young romance, and the boys suddenly have considerably more to worry about than rotten floorboards. Not to mention a side plot where the police are trying to get a Mob member to flip on their team.

 

The lively pacing, believable characters, and wonderfully authentic childhood friendships make this an engaging read. The author skillfully blends Gen X nostalgia with an adventure that younger readers can equally enjoy. And just when everything seems neatly resolved, a clever twist delivers one final surprise.

 

The author beautifully captures the complexities of childhood friendships and family bonds, from a younger brother’s admiration for his older sibling to the jealousy of a friend feeling replaced, and the ever-present fear of one of them getting into trouble. And Lolo? Never underestimate a protective grandfather!

 

The heartfelt Coda, featuring a personal story about the author’s son, adds unexpected emotional depth. For Gen X readers, memories stirred by “Don’t Stop Believin’” will strike a nostalgic chord. An already entertaining story becomes something more meaningful, bringing everything wonderfully full circle.

 

Entertaining, amusing, and thoroughly enjoyable. Highly recommended! Rating: ★★★★★ ,” The International Review of Books.

Why Your Courts Remind Me of the Athenian Jury. Only Less Drunk.

I am Aristophanes, son of Philip. Comic poet, civic nuisance and long-suffering witness to humanity’s favourite illusion: that once we dress power in fine clothes, it will behave itself.

 

You speak with reverence of your Judicial System.

 

We spoke with similar awe of our juries.

 

The difference is mostly alcohol.

 

On the Comforting Fantasy of Wise Judgment

 

In Athens, we believed that justice improved when shared widely. Why trust one man, when you could trust five hundred? They were paid a small stipend and chosen on a first come, first engaged system. They listened or didn’t listen to speeches. They were asked to decide guilt, innocence, exile or death before lunch.

 

It sounds reckless.

 

It was.

 

But it felt democratic. And feelings, as you may have noticed, are persuasive.

 

You, by contrast, gather a small number of very serious people, dress them uniformly, elevate them physically and insist they are neutral. This is a charming story. We preferred ours, in which at least no one pretended it was fair.

 

The Jury: Our Sacred Crowd

 

Our jurors were ordinary men (retired soldiers, tradesmen, grumblers) who arrived early to secure a seat and occasionally arrived already fragrant with wine. They listened to speeches not unlike theatre monologues, complete with tears, props and appeals to patriotism.

 

Justice was not blind.

 

But it did squint a bit.

 

We told ourselves that many biases cancel each other out. Sometimes they did. Sometimes they harmonised beautifully and destroyed a man.

 

Still, the court felt honest. It did not pretend to be superior to the rest of humanity.

 

Robes Rituals Theatre of Authority

 

Robes, Rituals, and the Theatre of Authority

 

Your courts are quieter. More restrained. Less shouty. This gives them an advantage: but is also a danger.

 

When authority becomes solemn, people stop laughing.

 

When they stop laughing, they stop questioning.

 

When they stop questioning, institutions begin to believe their own mythology.

 

In Athens, a jury could be mocked. Loudly. Publicly. Often by me.

 

This kept them nervous. Nervous institutions are healthy.

 

Your courts, I observe, inspire fear rather than humour. That should worry you.

 

On Neutrality, That Most Dangerous Costume

 

We Athenians never pretended our jurors were neutral. We assumed they were emotional, partial, proud, petty, generous, vindictive, bored, and hungry — all at once.

 

You insist your judges rise above such things.

 

Forgive my laughter.

 

Power does not escape human nature by wearing better fabric. It merely hides more effectively.

 

The danger is not bias; the danger is unexamined bias protected by reverence.

 

Why Comedy Was Necessary

 

Comedy exists to remind the powerful that they are still human. I wrote plays not to destroy institutions, but to stop them from becoming sacred.

 

Sacred things do not listen.

 

Non sacred things sometimes do.

 

A society that cannot laugh at its courts will eventually fear them. And believe me, fear is a poor substitute for justice.

 

A Reflection From One Democracy to Another

 

Athens trusted the many and some people paid for it dearly.

 

You trust the few and pay them a lot.

 

Perhaps both systems are flawed. Perhaps judgment is always dangerous, no matter how it is arranged.

 

But at least our jurors knew they might be ridiculous.

 

That knowledge restrained them.

 

So I leave you with a question, from one old democracy to a younger one:

 

You have removed the wine, the shouting and the chaos.

 

You have kept the power.

 

Has that really made things better, or just quieter?

 

READ ARISTOPHANES’ BOOK HERE

Interview with A. J. Gallant

Today, we’re talking with A. J. Gallant

 

Tell us something unexpected about yourself!

I usually write at night, sometimes until five in the morning.

 

Why do you write?

Writing makes me happy.

 

Where did you get the inspiration for your current book?

Ideas are a dime a dozen. Getting to the END is a journey in exploration.

 

What do you enjoy the most about your genre?

Multiple genres. And so I write paranormal detectives, fantasy, and vampires. Dracula is a good guy in my series.

 

How would you describe your writing process?

I write every single day, and the words add up.

 

What do you think authors have to gain from participating in social media?

They have a LOT to gain.

 

What advice would you have for other writers?

The first draft is garbage. Get to work and revise and edit and check.

 

How do you select your books’ titles and covers?

I try to come with something that impresses.

 

What’s your next step?

Working on Alien Drop. Horror.

 

What book do you wish you had written?

Everything by Harlan Ellison.

 

How do you react to seeing a new review for your book?

Some reviews are not honest. Bad reviews, especially for a new book, can potentially destroy it.

 

FIND GALLANT’S BOOK ON AMAZON

Climate Change and the Gods’ Revenge: Why You Shouldn’t Ignore Angry Weather (We Never Did).

I am Aristophanes, son of Philip. Comic poet, reluctant meteorologist and veteran observer of what happens when humans mistake good fortune for entitlement.

 

You speak today of climate change.

 

We spoke of angry gods.

 

Before you congratulate yourselves on your progress, let me say this:

 

we took the weather more seriously than you do.

 

On Weather That Refuses to Behave

 

When storms worsened in Athens, when seasons lost their manners, when heat lingered too long or rain arrived like an invading army, we paid attention. We argued about causes, certainly, but no one said, “This is normal, stop worrying.”

 

That would have sounded mad.

 

Instead, we asked what we had done to offend the gods. Had we grown arrogant? Wasteful? Excessive? Had we taken more than our share and congratulated ourselves for it?

 

You ask whether the data is complete.

 

We asked whether our behaviour was to blame.

 

 

The Advantage of Superstition

 

Laugh if you like, but superstition has one excellent quality:

 

it encourages restraint.

 

If you believe nature can retaliate, you tread carefully. If you believe the world exists solely to be used, optimised and extracted from, you don’t.

 

We lacked science.

 

You lack fear.

 

I am not suggesting you revive Zeus. I am suggesting you remember humility.

 

signs omens

 

 

Signs, Omens and Human Denial

 

In Athens, strange weather was a message. Perhaps a foolish one, but at least we listened. We debated it in public. We adjusted rituals. We worried.

 

You have better instruments and worse instincts.

 

You measure. You model. You argue endlessly about causes while the signs grow louder. Floods, fires, winds that arrive like armies and leave like conquerors.

 

When reality raises its voice, denial becomes an art form.

 

Why Comedy Took Notice

 

Comedy exists to point at excess before it becomes catastrophe. I mocked men who believed the gods could be ignored, bribed or managed.

 

They always laughed – until the harvest failed.

 

Your world mocks concern as weakness. You call restraint pessimism. You treat caution as an insult to progress.

 

Athens did this too, near the end. It did not end well.

 

The Gods We Replaced

 

You no longer fear the gods. You fear inconvenience.

 

You do not ask what must change. You ask what can be postponed. This is not wisdom. It is procrastination dressed as debate.

 

We believed nature had limits because we believed it could punish us. You believe it has limits because a chart says so.

 

One of these beliefs encourages care.

 

The other encourages delay.

 

A Reflection from a Superstitious City

 

Athens was wrong about many things.

 

But we were right about this: the natural world does not negotiate.

 

Call it Zeus.

 

Call it physics.

 

Call it feedback loops.

 

The name does not matter. The consequences do.

 

So I leave you with a thought from an old, anxious, weather-watching civilisation:

 

We feared the gods and learned caution.

 

You trust yourselves and call it confidence.

 

When the weather grows angrier still, ask yourselves…

 

did abandoning superstition make you wiser…

 

or merely less attentive?

 

READ ARISTOPHANES’ BOOK HERE

Interview with Liam Robert Mullen, author of The Nationalists

Today, we’re talking with Liam Robert Mullen about his book, The Nationalists

 

Liam Robert MullenTell us something unexpected about yourself!

I was born in London but grew up in Dublin. I now live in Rosslare, in County Wexford, but once a Dub always a Dub.

 

Why do you write?

Something I’ve felt I could do since I was a teenager.

 

The NationalistsWhere did you get the inspiration for your current book?

Stuff I read or listen to spark ideas.

 

What do you enjoy the most about your genre?

Which genre. I work across multiple genres. I don’t like been pigeonholed.

 

How would you describe your writing process?

Lots and lots of work. It never ends.

 

What do you think authors have to gain from participating in social media?

A wider audience perhaps but it can be a two-edged sword.

 

What advice would you have for other writers?

Never give up on your dreams.

 

How do you select your books’ titles and covers?

Titles come easy to mind and are sometimes the trigger. I work with a London crowd for my covers. Sometimes Amazon stock covers can be quite good and I have received positive feedback on these too.

 

What’s your next step?

Getting more and more work out there.

 

What book do you wish you had written?

HMS Ulysses by Alastair McLean.

 

How do you react to seeing a new review for your book?

If it is a bad review, I’ll tend to change things within the book.

 

FIND LIAM’S BOOK ON AMAZON

Wrong Hand Right by William Michael Ried

Trademark lawyer Finnegan Alger seeks justice, or is it retribution, in the gritty, wrong-handed New York of the 80s

 

Wrong Hand RightIn a gritty backdrop of graffiti-covered subway cars, downtown loft spaces, dive bars and an old-world gentleman’s club in the New York City of the late 1980s, Finnegan Alger is a 30-year-old left-handed litigator. Burdened as a child by his parents’ death, he harbors resentment against the “right-handed world” while striving to find his place in a routine of pursuing trademark infringers and hopeless romances. But then a routine case reveals that Navy pilots are dying and his case begins to feel like a trap closing in around him. How willing is Finn to defy his bosses and fight for the truth, or is it retribution?

 

“A sharply drawn, atmospheric thriller, Wrong Hand Right delivers a gripping blend of legal intrigue, conspiracy, and character depth. Finnegan Alger, odd, wounded, unforgettable, anchors a story rich with humor, tension, and 1980s New York grit. William Michael Ried crafts a super clever, surprising mystery that keeps readers guessing and fully invested to the final page,” The International Review of Books. 

 

READ THE BOOK ON AMAZON HERE

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